Joseph Uccello

Artist, designer, typographer, printer, and publisher Joseph Uccello is our guest in podcast episode 133 to discuss his work, especially his most recent book, Occlith Labyrinthus Archidoxae, Vol. Zero: Omniform, published by Three Hands Press.

Occlith: Omniform 0

“Joseph is a wayfarer in the Codex Naturae. While living in China he discovered and embraced the traditional brush and ink stick. He currently runs the Viatorium Press. He practices the almost-forgotten art of typography, has developed special techniques in letterpress printing, and won Bookbuilders West award for best book design for the Lovecraft homage Pilgrimage to Azathoth. He designed, printed, and illustrated another Lovecraft-themed book entitled Al-Azif. Additionally, Uccello has worked with Ouroboros Press to design and set the type for the new edition of Theatrum Chemicum Britannicum. His first book for Three Hands Press is Occlith: Omniform 0.”

Occlith: Omniform 0

In the first half of the interview, Joseph talks about his art, as well as his interest in book design, typography, printing, and publishing. We spend considerable time discussing his work on the Ouroboros Press edition of Theatrum Chemicum Brittanicum.

“The book is a living being.
“It is the body which, upon opening, radiates knowledge like a microcosmic sun – met and enflamed by the volition of the human hand, eye, and mind. Imagine the countless occult interactions when one engages with the book; things readily apparent to the senses, amidst others traveling stealthily into the unconscious: the many subtle reactions that are fathomed and recorded only in our deepest of minds.” – Joseph Uccello, Prolegomena to Occlith: Omniform 0, p. 8

Occlith: Omniform 0

We spend the second half of the interview discussing Uccello’s recently published Occlith: Omniform 0. I think this is one of the most unique and beautiful books that I’ve ever seen. The artwork, printing, and design are superb and the old Hermetic alchemical texts within have been literally resurrected. I highly recommend it. Joseph’s artwork is extraordinary, as are his books, printing, typography, and design. I believe his craftsmanship, insight, and attention to detail are only part of what makes him successful. The other component is a Hermetic alchemical reaction initiated through his world travels, seclusion, reading Paracelsus, and devotion to his work. He is truly worthy of your attention.

Occlith: Omniform 0

Joseph Uccello’s artwork will be featured at the 2013 Seattle Esoteric Book Conference! If you’re able to attend, I urge you to do so. It’s a wonderful event and I wish I could go. Hopefully, next year …

Please join Joseph Uccello in the Occult of Personality Membership Section for a fascinating exposition on the alchemical master, Paracelsus!

Joseph Uccello Design

Occlith: Omniform 0

Theatrum Chemicum Britannicum

Occlith: Towards the Arcane Modern” by Joseph Uccello

Occlith: Labyrinthus Archidoxa” by Joseph Uccello

The Viatorium Press

Paracelsus” Wikipedia entry

Paracelsus: Alchemical Genius of the Middle Ages

Oswald Croll” Wikipedia entry

Oswald Croll: Preface of Signatures

Theatrum Chemicum Brittanicum” – photos by Joseph Uccello

Patterns That Connect: Social Symbolism in Ancient & Tribal Art by Carl Schuster, Edmund Carpenter

intro music by HipGnosis and Paul Avgerinos

midtro music – “Purgatory Chasm” by Mountain Mirrors

outro music – “Be Creative” by Dave Preston

{ 1 comment… add one }
  • TheGnostic September 29, 2013, 11:19 AM

    Very timely interview, I had just been looking at his book right as this interview came out. I was noticeably intrigued by the lavish design aesthetic and was wondering quite a bit about this “Joseph Uccello” fellow and his background. So as always this was much appreciated!

    However regarding the interview I disagree on his comments about Kessinger though. I am recalling this from memory so I may need to re-listen but I think he was saying something along the lines of the work produced being “trash” or basically of little care or use.

    And while I appreciate his passion in typesetting and book design I think different books have to serve different purposes. If every book could be made to beautiful standards and be both economical and environmentally sustainable that would be great, but it just isn’t the case. And for Kessinger I think the purpose of their work is to make scarce texts available at affordable rates. It is just to have the texts in print and to allow them to survive onto the next generation, and in that sense its the individuals job to make the text come alive within their own consciousness. I’m sure if there was the option to have the library of Alexandria or the Vatican archives reprinted via Kessinger there would be no obligations. I doubt anyone would detest it simply because the books lacked publication aesthetic, as its the content that matters after all.

    So at that juncture I part views. Perhaps though I have misinterpreted what he was saying? But it seemed to be a type of passionate elitism about book productions, and while I admire that fervor I think there needs to be a sense of realistic expectations though. Talismanic books take time, care and money, not something every publisher can afford. So there will always have to be a variance, and different books will be made to suit different purposes.

    Still it was a great exchange, knowing that this is the first work of a series I’ll be securing a copy for sure! Another gem for Three Hands Press 🙂

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